AirToob Lightning


This is a small fragment of a very large "Speculative World Map". It's a work of art produced by serMountainGoat, a dedicated fan of A Song of Ice and Fire, George R.R. Martin's epic (and still incomplete) medieval fantasy that begins with A Game of Thrones. I found it here.

(Click the map fragment to see the full map - and you'll need to click again to view it full size. I borrowed an A3 printer and made myself a (slightly reduced) tiled printout of the map on six A3 sheets, which when assembled covers most of our dining table!)

I have just finished reading all of the available books in this astonishing, engrossing and occasionally exasperating epic fantasy, which is still incomplete (only 5 of the planned 7 books have been written). If you haven't read it, you will find an excellent description of it in this Wikipedia article.

One of the few works it can be compared to (although it is very different in many ways) is J.R.R. Tolkien's The Lord of the Rings. Both stories live in a richly detailed invented world with a deep history, worlds which are in some ways alternative versions of our own. Both authors have "R.R." as their middle initials (Ronald Reuel and Raymond Richard respectively). Apart from that, there are many more differences than similarities!

Tolkien's story occupied 1,215 pages in the original 3-volume hardback edition, comprising a prologue, 62 chapters and the extensive appendices.

The first 5 books in Martin's story occupy 4,408 pages in the original hardback editions (many more pages in paperback), comprising 344 chapters and in each volume a prologue, epilogue and an appendix of characters. There are over 1,000 named characters in this vast work, with the story (so far) told mainly through the viewpoints of about 12 of them.

Tolkien's story is told principally from the viewpoint of the four Hobbits, with Frodo as the main character. The Fellowship of the Ring is a continuous narrative with one main viewpoint (Frodo and the hobbits as a group). In The Two Towers the narrative splits into several streams, each containing continuous narratives of several chapters at a time. In the first half of The Two Towers Aragorn, Gimli and Legolas track down the two captured hobbits, the two captured hobbits escape and encounter Treebeard, and the threads eventually come together at Isengard after the battle of Helm's Deep. In the second half of The Two Towers Frodo and Sam trek to Mordor, ending with the cliffhanger as Frodo is captured after encountering Shelob. The Return of the King follows the war through three narrative streams (Aragorn, Gimli and Legolas in one, Merry and Pippin separately in two others), before returning to Frodo and Sam's final achievement and reunion with the others, followed by the long unwinding of the Fellowship.

Martin's story (so far) is told from the viewpoints of some 12 main characters (good and evil, intelligent and stupid, in various shades and combinations), plus some extra relatively minor ones. Each such character is featured in a single chapter, before the narrative switches to another viewpoint and another chapter. This is surprisingly effective, but means that the reader often has to wait a very long time to return to an engrossing narrative thread. Also, the sheer size of the work means that he has had to split the story intended for Book 4 into two geographical sections, the second of which was postponed to Book 5, and he has postponed natural climaxes from Book 5 to Book 6 - which might take 3 years for him to complete.

In spite of all this, I can really recommend the books so far (and the above map, which is essential). They are all available together as a single eBook, with a free sample that contains a good-sized chunk of Book 1. (We now have two Kindles in the family, since it was my wife who originally wanted to read Martin's epic. We discovered that you can share an eBook amongst up to 6 Kindles bought by the same person, so we were both reading the same eBook on our recent holiday in the Cathar region of France - see below - which seemed very appropriate to the story.)